Do we need ” McQueen “?

” Too pompous”, ” fashion rogue “, is the comments at the beginning of the McQueen career. to the fashion industry, it bring many elements worth absorption. We need McQueen brings endless commercial innovation and fashion pioneer.

She said: ” I love McQueen “

Intrinsic artistic temperament, Shang Wenjie, only existed for less than two years, the rapid transformation! Started the ” era of women ” in the ” upper ” tour. Increased range expansion, voice tone, color, makeup face, continuously upgrade. ” Queen of fashion “, ” makeup Queen “, ” personality days”, ” fashion queen ” … … A top hat is terribly high title. So Shang Wenjie became a joke. For three years, Shang Wenjie this word, always be with copycat, and LadyGaga, and the shock shape, and worship McQueen pull together. Most people, when Shang Wenjie is the newspaper, magazine, TV entertainment gossip, hear and see is amusement and entertainment critic sarcasm. As for Shang Wenjie to sing anything, how to sing, God knows, I only remember Shang Wenjie in ” To McQueen admirer of fantasy ” release “I love McQueen “.

Often imitated, has never been surpassed

Steve Madden who we are all familiar with, in 2009 McQueen imitation shoes accused the Manhattan District court. McQueen’s lawyer is bold to say: ” in fact, Madden not only imitation is the zipper ‘Alexander McQueen ‘ trademark. ” This is the original behoove things, but you also know that the imitation and plagiarism, the gap between a, the key lies in whether or not there is a little change, this is not AlexanderMcQueen, on the face of the ” plagiarism”, but he is not usually brands like swallow insult and humiliation silently. In fact, he did not know how many designers in China to imitate Alexander McQueen ” all “, some designers more bold McQueen dress in the same style completely copy, only to change the color, and laid out to pay tribute to him. Fashion design coincidence and plagiarism is very obvious, but in fashion design, absolutely not with tribute to the truth, the most is the use of an element, out of which the idol shadow. However, there are luxury brand does not care for the ” imitation ” this thing, like a pirated music is popular music, copycat products more, that your product is more popular. Just as since the beginning of this year’s spring and summer is red to explode like Balmain, almost overnight, countless shrug corset, appear on the market after pickling process of tight jeans and encrusted with crystals Rome sandal … … But, don’t you think that light is the simple imitation, we can replace it? You know, imitation is always in the following steps of others, when the acid wash jeans copycat version just launch, the autumn and winter Balmain flagship product, has become with crystal Haren pants, just follow in sb.’s footsteps imitation, how can you swim? Moreover, the imitator more, the brand will be more red, like the most classic Chanel tweed jacket, regardless of the size of the brand have launched a similar version, but the shape of never represent the spirit, the precision of cutting, exquisite craftsmanship, art beats nature. Accessories, perfect details are not simple, can achieve, this is the classic charm, how could easily be replaced?

Do We need ” McQueen “?

He defined beauty explanation for nearly 10 years, we need his thoughts. But he was also influenced by a circle of the style, if the application of these elements is up to the designer to master, plagiarism is spurned by the people. As for the style, in order to imitate other, when a joke about, can only say that she don’t understand anything. Where is the next McQueen?  look at those fashion flower petal dress , Aria cosplay  for your special needs. linxin-0301.

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The Esquire guide to black tie

People are once again feeling swellegant, and you know what that means: more BMWs, more formal events, more trying to spruce up your house like Martha Stewart. (Hey, even the best of times has a downside.) But let's talk formal for a minute. Saks Fifth Avenue tells us it's seen a big jump in tuxedo sales, as has that other style bellwether, Neiman Marcus. And according to the International Formalwear Association, more than half a billion dollars were spent on rentals last year. On rentals. Gentlemen, we are clearly puttin' on the ritz. But the question is, how ritzy are we? When did you last buy a tuxedo? Does it have lapels you could land a plane on? Does it still fit? And why is a man of your status and taste renting? It is time for an upgrade.

To help you in such an endeavor, the editors of Esquire--proper, elegant men practically from birth--have compiled a guide. Most of its advice is common sense. (You might even know it all already, in which case you should pass these pages on to a friend.) The operating principles of said guide: Keep it simple, keep it traditional. That means no alternative black tie. No band collars. No red socks. No Technicolor vests. A white shirt and a black bow tie will do nicely. And on occasion, you might try a long black necktie or a finely knit turtleneck. We like those more modern choices. They speak to the tuxedo's roots. In the beginning, black tie was a more casual outfit than a man's frock-coated, stiff-collared daytime uniform. And though that's not the case anymore, a good tuxedo needn't be a monkey suit, either.

Oh, and one final bit of advice. Don't rent. Ever. Rentals are never of the best quality, and, as you know from your business suits, a good fit (the determinant of how smart you look in any outfit) takes a skilled tailor. No store that leases pink clip-on bow ties has a skilled tailor. And there's one more problem with renting: You get someone else's clothes, and a man can't feel comfortable in someone else's clothes, especially when that someone else is probably a seventeen-year-old who last wore the getup on prom night. Do you have any idea what goes on in the pants of a seventeenth-year-old on prom night? Right. So buying it is. Here, then, everything you need to know before you slap down the plastic and take to the night in style.

"THE CHIC MAN WEARS VERY SIMPLE FORMAL WEAR, WHILE THE PLUMBING SALESMAN AT HIS ANNUAL WINGDING PRETENDS HE'S ERROL FLYNN."

John Weitz, fashion designer

LEGEND has it that the original dinner jacket, first worn by King Edward VII and his cronies, was a tailcoat with the tails simply snipped off. Maybe, maybe not. Another story goes that some other muckety-muck stood with his back too close to the fireplace and burned off the tails. Either way, the tuxedo has come far since the end of the nineteenth century. Instead of just the single-breasted peak lapel (the kind Griswold Lorriland made famous when he wore it instead of the prescribed tails to the Tuxedo Park Club in 1886), a man can nowadays choose from upwards of five styles, not to mention velvet smoking jackets (for at-home entertaining) and the slightly off-white warm-weather dinner jacket (which, by the way, you can wear with your regular tuxedo pants). The choice you make is largely a matter of personal taste--in other words, whatever would make a woman think you look tastier than the guy who brung her. Just keep it classic and of quality: A well-bought tuxedo should last ten years.

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GUCCI IS ONCE AGAIN CHICHI, THANKS TO THE SAVVY DESIGNS OF TOM FORD

BACK IN THE ’80S, GUCCI, ONCE THE HEIGHT OF CHIC IN leather goods and fashion, had become synonymous with cheesiness, its logo of interlocked gold Gs ripped off and emblazoned on everything from T-shirts to handbags. The company itself wasn’t blameless. “The canvas that we became famous for in the ’70s had slowly turned into plastic,” says Tom Ford, 33, who took over as Gucci’s creative director in 1994. “Many of the products were substandard.” Nowadays, thanks in large part to Ford, there’s not enough Gucci to go around. At the company’s London boutique, 150 patient patrons are wait-listed for his techno- stretch pantsuits. Bergdorf Goodman in New York City has 220 hopefuls on hold for his silver G white leather pumps. And the flagship Milan store can’t keep his bestselling G-belts in stock. “When you see Tom’s things,” says actress Jennifer Tilly, a fan, “there’s an almost uncontrollable ‘I’ve got to have it’ feeling.”

As the force behind fashion’s return to mod, the Texas-born Ford restored Gucci’s luster by reining in the firm’s overlicensed logo and replacing its stuffy designs with glitzy zebra-print silk shirts, chartreuse caftans and stiletto-heeled loafers. “Kate Moss is today’s Twiggy, James Dean is perhaps Keanu Reeves,” he says. “When I work, I think, ‘What do these people wear?’ Theirs is the image I want in my clothes.” So far, he has succeeded. “His clothes are glamorous but in a very casual way,” says Madonna, who, like Sharon Stone, Demi Moore and Heather Locklear, is a devotee of Ford’s body-hugging blouses ($495), faux fur coats ($1,195) and patent leather go-go boots ($495). Ford also credits timing for his success. “Gucci has always been a little flashy, a little Riviera, a little Hollywood–a mix of good taste and bad,” he says. “Because of the kitsch quality of things now, we came back at the right time. People are saying, ‘I’m cool enough to wear this ridiculous G-belt and it’s screaming at you, but isn’t that great?’”

Ford mastered the art of reinvention early on. The older of two children of real-estate-broker parents, now divorced, he grew up in Austin and Houston, and later in Santa Fe, N.Mex. At 5, he persuaded his mother to pack away his bedroom set. “I remade my entire room out of cardboard boxes,” he says. When he was 12, he pleaded for–yes–white patent Gucci loafers. “I got them the moment my foot fit the smallest size,” he recalls.

Tall and handsome, Ford headed to New York University in 1979 to study art history and acting. When his first trip to an agent paid off with a role in a commercial (he later appeared in spots for Old Spice and McDonald’s and in bit parts on TV), Ford dropped out of school in his sophomore year. By his own admission “not a very good actor,” he enrolled at Los Angeles’s Parsons School of Design in 1982 to study interior architecture. Two years later he switched to the school’s Paris campus where he had an epiphany. “I realized I’d always wanted to be a designer,” he says. “But when you grow up in Texas, it’s not something you want to admit.”

Following Ford’s 1986 graduation and stints with Cathy Hardwick and Perry Ellis, Gucci hired him in 1990 to revamp its women’s ready-to-wear. By March of ’95, he was winning critical acclaim. Ford “has put Gucci far and away in front,” raved a New York Times reporter after October’s spring show. On Feb. 12, the Council of Fashion Designers of America gave him their international award.

Now the power behind one of Wall Street’s hottest companies (after going public last year, Gucci’s share price jumped from $22 to $42), Ford isn’t just watching the cash roll in. A bachelor who is married to his job, he spends barely half a year at his spacious Paris flat. In his off-hours, he patrols the club scene from New York to Paris. That, he says, is where he comes up with his best ideas. “I design for the international person who travels between New York, Paris and Hong Kong,” he says. “Or at least the person who dreams of such a life.”

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a showcase of emerging talents designer on Designer Collections

Full of brio, Australia’s crop of young designers takes to the runways–and seeks to dazzle the eyes of the world

THE CATWALK SHOW OF Morrissey Edmiston, scheduled for 8:30 p.m. is running fashionably late. Hundreds are queuing at the doors to the dome-shaped tent at the Sydney Show-grounds when suddenly a whistle pierces the buzz. “You’re all going to have to take a step back and stop pushing,” yells Simon Lock, Australian Fashion Week’s high-octane master of ceremonies, standing on a nearby table. “If you’ve got a ticket, line up over here. If you haven’t, just take any seat that doesn’t have a name on it.” Inside, the fashion is similarly loud and brash: impossibly bronzed men and women in skin-tight white leather and jersey lounge on a turning platform, smoking cigarettes; models skid the runway in body shirts undone to the waist and skirts split to the hip and higher. Welcome to pret-a-porter, Australian-style.

Cheeky, flip and hip–just like a Baz Luhrmann movie–the Sydney design duo Morrissey Edmiston helped define the buoyant spirit and youthful irreverence of Australian fashion as it unfurled in 14 spring-summer collections and three group shows at this month’s inaugural Australian Fashion Week. Nancy Pilcher, editor-in-chief of Vogue Australia, is still reeling. “It was a launching pad and Australian fashion was the rocket and everyone was doing the countdown: Is this going to happen? Will we take off or won’t we? And we actually did,” she says, “and we’re in orbit now.”

Australian fashion was, until recently, something of a contradiction. Previously confined to the Australiana exotica of such labels as Koala Blue, Jenny Kee and Ken Done, to the rest of the world Australia “hardly registered .001 on the Richter scale,” says Lock. Being seasonally out of sync didn’t help. Then, against all odds, Australian fashion began making inroads abroad: with casual ease, Country Road opened a store on New York City’s Madison Avenue; Morrissey Edmiston, boosted by fans such as Wile Macpherson and Michael Hutchence, started selling in Manhattan department stores. Meanwhile, fashion expats, including designer Richard Tyler and models Emma Balfour, Sarah O’Hare and Anneliese Seubert, began infiltrating fashion’s highest echelons. Then this year Sydney’s Collette Dinnigan became the first Australian invited to show as part of the official Paris pret-a-porter (ready-to-wear) parades.

Yet as a collective fashion force Australia remained invisible. With Australian Fashion Week and last weekend’s Australian Designer Collections in Melbourne–a showcase of emerging talents such as Brave, Bettina Liano and Martin Grant–that might be changing as the industry stakes out a claim on the cutting edge.”Australian fashion has come of age,” insists photographer Alex Zotos, event director of the Melbourne show. “We’ve got designers who are now good enough to show in a runway format just as their counterparts do overseas. It’s time to stand up and take our place on the world stage.”

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Australian fashion is a magpie’s nest of styles at one time

Breathtakingly ambitious, Lock captured the industry’s high hopes–and hyperbole–in his spiel for Fashion Week, which aimed to bring in $A25 million in export orders. “Retailers around the world are looking for new different designers,” he claimed. “They are a bit bored by what they are seeing in New York, London, Paris. And even though these events continue to be fabulous and fabulous and fabulous and continue to be fabulous all the fume, people do look for new things.”

The reality proved somewhat different: while buyers from London, Singapore and Hong Kong were lured by free business-class travel and accommodation, much-vaunted guests such as Tyler, Italian style guru Anna and influential CAN fashion maven Elsa Klensch were absent, as were buyers from New York. By week’s end, $A100,000 in orders was a more realistic figure. “A week of fashion in Australia? How quaint,” European buyer Joan Bernstein was reported to have sniffed. “Perhaps when they decide to address haute couture properly for 365 days a year like they do in Milan, Paris, London and New York, then the world will beat a path down under.”

“Quite frankly who cares if Paris Vogue wasn’t there ” says Sydney couturier Jonathan Ward over the whirring of sewing machines at his Double Bay atelier. “Having overseas buyers and press is not the be-all and end all. The local market’s just as important.” Yes, concurs Vogue Australia’s Pilcher. “It allowed us to see within ourselves that we can perform and that we can make this thing happen–without cringing,” she says, before adding: “I’m sure Elsa Klensch will be here next year.”

But just what will she see? On the evidence of the recent shows, Australian fashion is a magpie’s nest of styles: from Nicky Zimmermann’s exquisite lace-print bikinis, to MJM Lifestyle’s ingenious seaweed-dyed chiffons that evoke the landscape spirit, to Dinnigan’s beautiful, gossamer creations in sea-colored embroidered silk. It embraces Grant’s quirky Paris-inspired couture and the Eurotrash allure of Morrissey Edmiston. Then there’s Australia’s aversion to northern hemisphere gray: for their very commercial shows, Marcs and Saba zapped the catwalk with acid lime, orange and red. “The big thing with Australia is that it is not Europe,” notes designer Robert Burton, a relative veteran with 20 years in the business. “The weights of clothing in this country are very light. The average spring suit in America would be wool. Their spring weight would be our winter weight.”

Above contents all referenced. Copyrights belong to the source websites   First Communion gowns , Japanese school uniforms . The statement above is consistent with them.

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Fashion is not our only spokesman, don’t make fashion too personal

Intro: fashion, with its unique product supply, marketing, business model to create a special scene in other industries can’t see us, but the industry as a result of these factors become too personal, fashion show to the world our identity and which is the way we want to show, but it is only a fashion.

The fashion industry with its unique product supply, marketing, business model to create a special scene in other industries can’t see, but the industry as a result of these factors become too personal, fashion show to the world our identity and which is the way we want to show, but it is only a kind of fashion. In this industry, designers through speculation of consumer preferences, personal idea to succeed, and when the models on T stage are too thin, clothing prices are too expensive, consumers began to complain, to the end, this industry is full of personal emotions, lost some of the fair.

The designers hope that through design for the star’s clothing to promote the brand, enhance the visibility, and when a star in the design of a particular designer walked down the aisle, she represented not herself, her shoulders as if carrying a brand’s ups and downs, and then have a look each media, editors repeatedly please by the various brands , will arrange a suitable location when seeing the show, some show also invited them to join the party, and send flowers to them, in order to see the positive news brands on newspapers and magazines, all of which in our opinion is relationship of objective evaluation, to be quite different.

In fact, however, this is just a business only, too many people with too much of their own emotions in this industry, a way of fashion is but what ways we dress up oneself, when it became a sole representative of our approach, if everyone in this industry can objectively face it, perhaps so much misunderstanding and suspicion can be controlled.

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No limit of young designers, how designer success with a brand

Young is the capital

Alexander Wang instead of Nicolas Ghesquire

Before the confirmation of Alexander Wang, the news of London designer Christopher Kane Balenciaga as creative director of Balenciaga , Balenciaga and PPR did not comment on this, until November 29th and 30, the authority of the media have reported that has confirmed that Alexander Wang is Balenciaga new creative director. During this period of a sudden change in the situation is the undercurrent. No matter how the evaluation of Alexander network Wang “copy “, ” can only design Street “, compared to Nicolas Ghesquire, Alexander Wang is in any way closer to the era background: diversification, love Party culture, embracing the digital society. Balenciaga chief executive Isabelle Guichot said in an interview after the release of official appointment is more say without mincing words to say, ” I want to find a person know the digital world “. Prior to this, Nicolas Ghesquire hasn’t any Twitter account , until the report from street, Twitter appeared a @TWNGhesquire account, according to foreign media that is Nicolas Ghesquire .

2013 New York Fashion Week: Alexander Wang in the background

when Nicolas Ghesquire have the first Twitte account, Alexander Wang has sold in 23 countries through the Italy online retailer Yoox with its namesake brand and side line T by Alexander Wang, but the electronic commerce website of his own brand is also supports 60 country freight. This background obviously contribute to PPR in 2013 to develop e-commerce plan, in the summer of 2012, PRR and Yoox set up a joint venture company, plans to all of its designer at the end of 2013, Stella McCartney, Bottega Veneta, Yves Saint Laurent, Alexander McQueen, Balenciaga and Sergio Rossi expand to the world including china.

Rihanna is wearing a Alexander Wang2013 new spring and summer in English ” X Factor ” Finals

A voice called Alexander Wang Chinese background to determine effect on it in Balenciaga, including the New York Times Fashion Critic Cathy Horyn also hold this view. But PPR chief executive Franois-Henri Pinault denied this in the early 12′s reporter interviews. The national question always is two-edged sword. In the Chinese background, Alexander Wang became one of the most enthusiastic of Chinese media report designer, but ” China ” is also a pronoun of lack of creativity, crudely made. Alexander Wang’s resources in the New York social circle may be more important than its Chinese background, and Anna Wintour have supporters. Karl Lagerfeld said: ” we all like Alexander, I like him very much. ” A brand only won the New York certainly can become a truly international brand.

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one of Italy’s largest department-store chains

Giorgio’s grandfather Lodovico had a shop in Piacenza where, his grandson recalls, “he made wigs in the 19th century style, many for the local theater. He took me backstage with him. I was fascinated.” Giorgio’s parents diverted him from dreams of the lively arts and into medical school, which he endured for three years before surrendering to the inevitable military service and a three-year hitch as a medical assistant. Back in civvies in 1954, he took a job, “almost by accident,” with La Rinascente, one of Italy’s largest department-store chains. He helped put together a series of ambitious window displays “showing quality products from countries the ordinary Italian couldn’t visit—Japan, India, the United States.” They turned out to be products the ordinary Rinascente customer could not afford either, and Armani found himself transferred to the office of Fashion and Style, where, as he says, “employees were sent who had nothing to do.”

There, however, he found plenty to do. “I began to understand about fabrics and the importance of rapport with the public,” he says. “It’s one thing to design clothes, but it’s something else again to hang around the salesrooms watching the public react to them.” After seven years in Fashion and Style, he was steered by a Rinascente manager to an interview with Textile Magnate Cerruti, who was hunting for an assistant in the new fashion line he was adding to the family business.

“You look per bene [respectable],” Cerruti said. “You will do.” Then he tossed a pile of materials across the desk and asked Armani to choose what he liked. “Luckily,” Armani says, “I chose what he liked. I got the job.” Later Cerruti disclaimed credit for discovering Armani. “Discovering a man like Armani is impossible, because he discovered himself,” Cerruti insisted. “He had a natural talent, and he is self-taught. He would have stood out from the crowd in any case. Men like Armani are so rare that when one emerges even the blind are aware of it.”

For a little on-the-job training, Cerruti sent Armani off to spend a month in a factory, where, Armani recalls, “I fell in love with textiles and began to understand the work behind each yard of fabric. That’s why today, when I see anyone throwing away a sample of cloth, it’s like cutting off my hand.” He stayed with Cerruti and nourished until 1970; then, buttressed by Galeotti’s perfervid reassurances, he decided to make his move as an independent designer.

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the collection in terms of lifestyle

He was trying, really, to get elegance back into clothing without sacrificing ease. He wanted to find a way of dressing up that looked like dressing down: men’s jackets that looked as if they had just been resurrected from a steamer trunk, women’s suits that could have been borrowed from men but felt as if they had been cut to order, skirts and blouses that could seem at first randomly pulled from the closet but that, once together, worked a very particular and sudden magic. Legend has it that Fred Astaire would break in a new suit by throwing it against a wall until it yielded up a spontaneous modification of its original cut. Armani wanted the modification without the wall, a notion that could easily have been lost in the translation from sketch to hanger.

The translation, in this case, was all in the tailoring: the moving of buttons and dropping of lapels, the sloping of shoulders and strategic modification of inner structure by following the Savile Row technique of not gluing the lining to the underside of the fabric. The result, an epiphany of choreographed rumple, was like cutting the buckles and taking the stuffing from a straitjacket. Citizens out for a stroll down a sunny American boulevard, or cabbing to a cocktail party, or even (gasp!) commuting to their office, looked like first-class cruise passengers who had just unpacked for a walk around the deck. The look was liberating for some; for others, it resembled the prize exhibit in a dry cleaners’ museum of horrors. Recalls Fred Pressman, president of Barney’s New York, the forward-looking store that was Armani’s first Stateside champion: “Manufacturers said I was trying to ruin the industry, promoting wrinkles. They didn’t see the collection in terms of lifestyle, only as some kind of fashion statement, or misstatement. They couldn’t understand why people would want things that wrinkled like that or draped like that.”

All that seems to have been cleared up nicely, thanks. In 1976, the year Pressman was instrumental in introducing Armani to America, the combined sales of the men’s and women’s lines was $90,000. This year the ante will be a bit higher: $14 million, which accounts for only about 10% of Armani’s worldwide revenue. That figure, an estimated $135 million, is a 60% increase over ’81 sales.

The prospects for such a success were by no means clear twelve years ago, when Armani had to be cajoled away from his steady $40,000-a-year job designing men’s wear for Nino Cerruti. It took the considerable persuasive powers of Sergio Galeotti, then 25 and a draftsman in a leading Milan architectural firm, to lure Armani from the kind of early middle-aged complacency he was slipping into. Armani, the second of three children of a transport-company manager in Piacenza, 40 miles southeast of Milan, grew up during World War II and remembers waking up screaming from nightmares about air raids. A childhood like that requires a heavy investment in security, which his parents Ugo and Maria did their best to provide.

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SWAROVSKI 2013 autumn and winter fashion group

Intro: SWAROVSKI is very glad to announce the 2013 winter series cooperate designer list, and excellent works of cutting-edge design of these fashion brand, they will debut one after another in the near future in New York, London, Milan and Paris fashion week.

New York: Prabal Gurung, Rodarte, SUNO, Creatures of the Wind, Band of Outsiders

London: MaryKatrantzou, Emilia Wickstead, Eudon Choi, Giles, Marios Schwab, Huishan Zhang

Milan: No 21

Paris: Maxime Simoens, Masha Ma

SWAROVSKI 2013 autumn and winter fashion group

As SWAROVSKI continues to expand and the Asian market cooperation, Huishan Zhang and MashaMa these two full of wit of the Chinese designer, also appeared in the SWAROVSKI 2013 series of autumn and winter cooperation designer list. The cooperation of the designer, are SWAROVSKI based on its outstanding works of extraordinary talents imitation crystal use and virtuosity and selection.

SWAROVSKI crystal imitation business executive board member Nadja Swarovski said: ” SWAROVSKI is very excited to be with these have great originality, outstanding designers and inspired. Brought to countless different try imitated crystal craft for the fashion. We very much look forward to see every designers how to use his artistic talent to show diversity creation SWAROVSKI elements. “

SWAROVSKI fashion group from Nadja Swarovski and Alexander McQueen and IsabellaBlow in a collaboration in 1999. Since then 10 years, SWAROVSKI has helped more than 150 designers complete their creative unprecedented fashion works. look at those fashion Japanese school uniforms , cheap plus size party dresses  for your special needs. linyan-0224.

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Comments to SWAROVSKI fashion from New York fashion week designers

PRABAL GURUNG

” Have very important influence on the new SWAROVSKI designers personal development, but also very happy to promote a lot of famous brand. These generous support has been far beyond the product itself, they are constantly looking for unique ways of innovation and creative, and connect the fashion industry closely, walking in the forefront of fashion. “

RODARTE

” SWAROVSKI aims to lead the fashion and creative design, which gives us freedom of creativity, inspire us to use imitation crystal elements to create more inspirational works. “

SUNO

” For SUNO, in collaboration with SWAROVSKI is very logical. We are keen to use patterns and fabrics, traditional technology, design and reform thoroughly. While SWAROVSKI elements also works for us to add taste and texture, emphasizes the 2013 winter series of Rococo style. “

CREATURES OF THEWIND

” Opened up a whole new world with the cooperation of SWAROVSKI like, and so we had more chances to use new and interesting materials. It has become to a new part of our work, SWAROVSKI elements for clothing is adding charm,which is really convincing! “

BAND OF OUTSIDERS

“For the young designers and their crazy ideas, SWAROVSKI is a really be happy in doing good donors, the product itself is so unique, quality is excellence, will bring unexpected results to designers’ work. “ look at those fashion

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2013 autumn and winter,the guide of mixing fashion fabric (1)

Retro romantic tone

Key styling

   

  style 1

Affected by the wave of retro, using Vintage Lace with lady dress appears gentle and romantic. High waisted jeans with deep pockets and wool texture and decorative patch. Fair Isle patterns wool socks and sandals, to create a stylish and rugged style.

style 2

A loose Satin dyeing cardigan sweaters and mesh knitted tights and create a comfortable feeling of freedom. Hubble-bubble sleeve and inlaid lace Bustier elegant woman. Clogs adds exotic style.

style 3

Cotton blended tapestry integrated into pencil skirt. Cotton shirts and sleeveless denim vest mixed to classical shape into a modern working style. Heavy cardigan sweaters, in a denim jacket, create a tide of mixing trend .

style 4

The classic Bib using style of slim and soft leather tailoring, to create elegant form. Loose floral blouses rendering pastoral atmosphere. Heavy blanket type of large cloak , to create a rough sense of mutiple hierarchy. look at those fashion flower petal dress , semi formal dresses for juniors  for your special needs. jiangbin-0223.

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4 types of hair accessories increase holidays good luck of meeting with the right person

Intro:in Valentine’s Day, whether you have a romantic date waiting to implement plan. Valentine hit the Chinese new year, double the perfect holiday must use the most beautiful to UP peach blossom, single girls more to use the most romantic and sweet hair accessories to dress up yourself. Today Xiaobian recommend for all 4 of the most suitable sweet peach hair day.

Sweet element hairpin

Sweet element is essential and hair, the card is the most all-match color, the most easily. Regardless of is the gem elements lovely bow or shiny, with hair can reflect the sweet temperament. If think pink too beautiful, then you can try the popular black bow, which inlaid sequins or veil is a good choice.

Bright decorative hairpin

The holiday will have a variety of parties and date waiting for you, all is the most able to reflect the elegant temperament. Take the elegant route girls don’t need too sweet and lovely hair series, only the most simple pearls or moisture can make a peach blossom hair. Comb type card can also ensure that the hair is not in dating scattered.

Lady style hair hoop

Hoop is among the many ornaments most can quickly create self-style, sequins and flower elements is the ladies love. Whether it is long hair or short hair, only the tail hair perm hair hoop, collocation can immediately show tenderness. This year’s holiday gentle girls must dress magic.

Warm and lovely hair rope

Hair rope and a sweet smile appears to be the most harmonious, the soft texture of the towels in the popular hair rope is popular. Sweet pink or some sexy purple color can feel warm in this cold winter for your he. Choose the multi-level stack the rope like a flower in hair, sweet feeling of soaring. look at those fashion lolita dresses , Sheath wedding gowns  for your special needs. qingxue-0220.

http://www.510.me/blog/4-types-of-hair-accessories-increase-holidays-good-luck-of-meeting-with-the-right-person/

Haute couture-The New Dream Makers

Haute couture has been described as a fashion and luxury colorful dreams. But as Cathy Horyn ” fashion is the most difficult to understand the problem lies in the future has been existed in the past, but after it is to forget the past ” argument, if the dream is always indulge in the past would not wake up, to be reduced to fashion nightmare. Fortunately, the Paris fashion week, the new fashion the apostles took their mantle, a new scene picture for us.

With the new face of fashion week to respond to, a lot of changes that occur during the old city in Paris. Glorious history of the Ritz hotel in Versace big show will be shuttered, began a two-year rest; Vendome Plaza 21, ushered in the old Elsa Schiaparelli, although the designer has not yet been settled, but the brand ambassador Farida Khelfa and Diego Della behind Valle has done in the next spring to stage a comeback. Ready; be close by. No. 23 is turned to the Louis Vuitton first senior jewelry and watch shop, senior jewelry workshop is located in the convenient, customers are seeking process mystery. In Sicily’s Dolce & Gabbana came at the end of the fashion week, published the first advanced customization series of their own, even has always been free in free in the fashion circle outside the Azzedine Alaia is preparing to open its own since the age of 1990 to the first custom clothing store near Meng Tian avenue. The concept of the word Couture is radiated to the outside of Paris place, radiation into every aspects of fashion.

Now Haute Couture has already cannot be measured with the old standard, the French High Fashion Association set every season of not less than 35 sets of fashion law has been adhering to the quarterly only 10 sets of clothes Riccardo Tisci break. Change an angle to think, 10 pieces of technology perfect fashion is far better than the dozens of sets of follow the same pattern long release, how can the fashion house history of the supreme essence to the contemporary design, this is the biggest test for designers.  look at those fashion empire bridal gowns  , trumpet wedding gowns  for your special needs.

http://www.510.me/blog/haute-couture-the-new-dream-makers/

in London ，The world ‘s Fashion Week of children’s clothing in March

The first children’s fashion week in 2013 March held in London

This fashion week only open to the media and invited guests, the next day by children’s wear fashion week sponsor, high-end children’s clothing business website AlexandAlexa.com for the sale of children’s wear brand ( Burberry, Dolce & Gabbana, Fendi, Levi’s, Ralph Lauren, Stella McCartney Kids ) held 2013 summer conference, public ticket sales, income to denote to poverty in England the families of children.

AlexandAlexa’s founder and CEO said: “the important part of the children’s clothing and fashion, the children’s week we need to push the world ‘s fashion. “

Similar events will be held in the United States, the Middle East and Australia, Paul Smith and Junior Gaultier have been identified to participate in.

see more fashion Japanese school uniforms , Junior bridesmaid dress  for your good taste.

 http://www.510.me/blog/in-london-%EF%BC%8Cthe-world-s-fashion-week-of-childrens-clothing-in-march/

Some Fashion brands have quit the New York fashion week in 2013

Introduction: New York fashion week has been seen as a successful American designer career peak, but this year will start on February 7th New York fashion week is a bit neglected trend, many before the New York Fashion Week show the brand will quit this year.

Joy Cioci insisted on March after editing and buying back from Paris fashion week and then to show them the new series of clothing, he said: “the New York fashion week schedule is too crowded, whether the buyer or the editors are in a hurry, I have been in New York Fashion Week show out the 4 season clothing, but feel that this investment does not seem to be any results. “

Numerous fashion brands have quit the New York Fashion Week

Zeng Shen exhibition New York fashion week 10 years of designer Yoana Baraschi says it will withdraw from this season’s fashion week in New York, decided to show their design in the middle of March, he felt that this form of display is more direct, more close to the customer, he said: ” everyone wants to be the same model and stylist in fashion Zhou Yu, but so much of the show is just not possible, New York fashion week this arrangement cannot let view show person to read each show. “

Routine does New York fashion week is too tight, everyone try various devices to get into this time, one of the main reason for this lies in the New York fashion week, unlike Milan and Paris fashion week as a professional regulatory bodies, the number of control parameters to show the number of brands, brand registered at New York Fashion Week this year reached 283, 2007 in February, 204 had increased compared to. The official schedule for February 7th -14, but some brands started from February 4th to display the clothing, the New York fashion week schedule from 7 days to 11 days. In February 11th 4 a brand show, February 10th, editors must choose between Tommy Hilfiger and Ralph Rucci, because both time overlap. After the editors read 10 several shows during the day but also through the photos of the way to distinguish each show, to ensure that the design is not to confuse each brand.

Hold a fashion week usually needs 6 double-digit budget during New York fashion week, some major suit even need to spend $about 1000000, if the choice of top model, each show, spending at least $350000. If you avoid the crowded time, so the designer can save quite a lot of money. look more fashion Japanese school uniforms , trumpet wedding gowns for your special taste.

http://www.510.me/blog/some-fashion-brands-have-quit-the-new-york-fashion-week-in-2013/

The Empress Dowager Vivienne Westwood Design the Costume for English National Ballet

Intro: Designer Vivienne Westwood in cooperation with the English National Ballet, designed in 2013 as propaganda clothing, will be drawn in British history and culture, but in the modern new angle of view to show.

Vivienne Westwood

The company’s artistic director Tamara Rojo invited Vivienne Westwood to design the propaganda film of clothing. In the Guy Farrow shooting movies, Vivienne Westwood freedom as well as the punk spirit fully play, put on a variety of other contrast background dancers in the abandoned Village Manor, in Vivienne Westwood 2013 series of spring and summer fashion,  the fashion inspiration from the British history of clothing. look at these sheath wedding dresses , Modest Wedding Dresses  for your special days.

http://www.510.me/blog/the-empress-dowager-vivienne-westwood-design-for-english-national-ballet-costume/

The Queen ‘s street fashion

Caroline Issa

Caroline Issa

With three hybrid Caroline Issa was born in Montreal, my mother is Chinese, is the father of the Iran and Lebanon. Caroline more than once in Seattle, Singapore, San Francisco city life, pluralistic culture created a Caroline variable style. Now Caroline Issa is ” Tank ” magazine publisher and executive fashion director, always going in to the life she, has become the focus of the photographer snapped. Neat ponytail and lip shape is fashion keyword Caroline.

Caroline Issa is often shown in the fashionable and spell able business image, wearing a skirt she added a woman’s charming, shoulder Joseph leather jacket and a tough.

Elisa Nalin

Elisa Nalin

Elisa Nalin was born in Italy, born in France, is a famous artist and designer, design and other suggestions for many top brands. She often appeared on the street will attract countless eyes, bold colors staggering is fascinating. Elisa also says ” I like doing other match, like bold attempt, even if not recognized by people also never mind. I hope my every day is colorful “. Nifty sunglasses, gorgeous color, retro styling and delicate high-heeled shoes has become her classic styling.

Hedvig Opshaug

Hedvig Opshaug

Before the age of 19, Hedvig Opshaug has been skiing, and hoped to become a professional skier; after she turned 7 years of studying mathematics, and became a bank clerk. The financial crisis erupted in 2008, she gave up her job, go out to travel for a year, but the accident in London began her modeling career. Hedvig started his own blog, become today’s fashion bloggers. Influenced by the work before, she loves neutral color slants cool, good at creating minimalist style, many major suit single product her wardrobe, but have the same Zara value brand, compared to like the tide fashion bloggers single pile body, Hedvig Opshaug always cool to choose the most suitable for their own, minimalist profile, color mosaic product are her most loved.

Hedvig Opshaug cleverly mix like building blocks, Miu Miu two-tone hat, J brand black turtleneck, a shoulder cape Topshop Baseball Jacket, with Alexander Wang hand bag, the whole capable but not elegant.

Miroslava Duma

Miroslava Duma

A prominent Miroslava Duma is one of the ” Gang of four in Russia .”. Three other people were like a designer Ulyana Sergeenko; media tycoon Alexander Lebedev model girlfriend Elena Perminova; and love retro with designer Vika Gazinskaya. Although the four most petite figure, and no sign of Russia’s face, but her match seems to have been highly appreciated by the industry. Her style is changeable, sometimes lady, sometimes girls, sometimes reveals elegant style, sometimes cruel uninhibited.

And hit the color mosaic tailoring exquisite, from the Russian Miroslava Duma inadvertently also reveals the French customs. The Chlo package with the same color line cap, Venessa Arizaga necklace for the overall shape.

Natalie Joos

Natalie Joos

A former supermodel Natalie Joos, now a seasoned professional casting director, not only control the occupation career models, more are the driving force behind the fashion week smoothly. Natalie Joos clients including Lacoste and Mark Fast and other top major suit, also worked with Philip Lim and Hugo Boss company. She has to find a suitable model of professional judgment for each; it is this taste with the fashion of skilled, organic combination of let her the art students temperament and natural pure and bright style, appear in every best dressed list. Natalie Joos has replaced Anna Dello Russo and Susie Bubble, as a new generation of street photography master.

Quentin Jones

Quentin Jones

Quentin Jones is a Cambridge student, majoring in philosophy. Modest Wedding Dresses , Once Beckham launched namesake brand Victoria Beckham shooting the promotion video. As a model, illustrator and film producer she has extraordinary talent, his works is full of surrealism style. Recently, Quentin and modern fashion brand Tibi shooting and video. As this year’s fashion rookie, Quentin ‘s performance is remarkable, believe the lucky girl will soon usher in his career peak.

Stephanie LaCava

Stephanie LaCava

American writer Stephanie LaCava was born in New York, a small city growth in Paris next to the. Good matching ability and writing ability to let her become the focus of attention. She has a head of publicity of the red hair, was very thin, cardigan sweater is her most loved fashion goods. Her low-key style and with some luxury, although not IT Girl, but it has a high rate of appearance.

Stephanie is in love with 90′s rock outfit, army green frock coat with DAMIR DOMA stripe skirt and black shiny bare boots.  sheath bridal gown , Comfortable leisure street style, Frank out intellectual beauty.

http://www.510.me/blog/the-queen-s-street-fashion/